An image never represents a mere idea; it is never just an illustration. Thinking is constructed, shaped, and always develops through imagery. No thought comes to light, nor indeed casts a shadow, without being caused by an image, which itself becomes an insightful synthesis of a dimension of humanity. In this series (“Icons”), edited by Massimo Cacciari, authors from different backgrounds explore great icons of our cultural heritage – such as works by Mantegna, Pollock, Caravaggio, and Kiefer – that relate to key issues of our times.
In the most famous painting by Caspar David Friedrich, one can see, from behind, the figure of a wanderer, in the most romantic sense of the term. Where is he from? And, especially, where is he going? He has reached the extreme limits of the world only to gaze even further: firmly rooted on a rock, the wanderer seems aware that infinity is greater than he is, and this boundless vastness seduces him. He seeks the principle underlying the immense depth. Infinity, however, not only cannot be attained; it cannot even be represented. Yet the infinite has never ceased to intrigue and torment painters, philosophers, mathematicians, and persons of letters. Providing an overview of the entire topic, this book sheds light on a continually timely and fascinating issue.
Sergio Givone is professor emeritus of Aesthetics at the University of Florence.
I. Da dove e verso dove?
II. Un gesto antico
III. Oltre il sublime
IV. Infinito negativo e infinito positivo
V. La «dolce» prospettiva
VI. A capofitto nell'apeiron
VII. «Io, esule, non ho casa»
Anteprima del testo delle prime cinque pagine a stampa del primo capitolo.
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